Tag Archive | broken heart

Life: The Masquerade Ball

Since August 3rd I have been on a Contiki group holiday travelling from Los Angeles to New York.  At the beginning of this article, I am in a hotel abutting the beach in Panama City Beach, Florida.  For most people, this state of events is ideal and has the potential for wonderful times and indescribable adventures.  Sadly, as you will all have picked up by now, I am not most people.  Neither my brain nor my heart will permit me to compute the idea of a month of such glee or merriment.  I simply cannot stress enough just how frustrating it is to me that I so desire to join in the fun and have a great time with the new friends Pippa has made (for reason I address myself in 3rd person here, see..) and yet, there never comes a time when control of the requisite organs to appreciate my situation rests in my hands.  My illnesses are constantly usurping my power and forcing me to conceal the true madness behind the mask (yes, I am a Phantom of the Opera fan!).

The Pippa I was before I became medicated and up-to-a-point subdued and diluted would have been standoffish and shy to a fault, but eventually she would have found her feet and met her lobster (Friends has been playing on the coach!).  Sadly, the Pippa who survived assault and constant mental, emotional and physical abuse with scant comfort to punctuate the suffering, attempts to fit in and finds her lobster but buckles under the strain of being so constantly watched and masked in front of strangers.  That is what has happened in the midpoint of this wonderful trip that has been eagerly anticipated for years.

Precisely halfway through my sojourn abroad my mood took a nosedive.  My sleeping hasn’t been too bad, which can sometimes lead to depression, yet just before a wild night in NOLA (New Orleans), most of which I do not recall, I felt as though I had no reason to live.  I had just seen the most beautiful natural sight I’m sure I’ll ever see: the sunset over the bayou in Louisiana from an airboat floating on calm waters.  I’ve included one of the pictures I captured of the moment that nearly brought me to tears but though it is a cliché thing to say, you really did have to be there sitting at the front of the boat with spray hitting you and showing you just how alive you are at that moment in time.  I felt free and alone in a crowd.  It was perfection.  There was no pressure, there was no suffering, there was no thinking or living.  There was just being.  I thought it God’s gift.  Sadly, as I have previously said, the greater the gift from God, the harsher and greater the payment owed to the Devil.  The Devil took his payment in full not three hours later (even Faustus had more time to settle his debts!) when I determined to drink my way down the notorious Bourbon Street in New Orleans.  It has been said that I was “drinking like I didn’t want to live” and I am forced to agree with my travelling companions.  I did not want to live.  Life will never be as perfect or easy to deal with as it was on that boat in the middle of the swamp seeing a spectacular sunset, and somewhere, subconsciously, my broken brain told my broken heart that both should go down after a high like that and then my entire system was in agreement that Bourbon Street would be a location where I tried to die happy rather than England where I have attempted to die miserable many times.

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Louisiana Sunset

I remember the entirety of Bourbon Street, including the bulimic attack I had during a helping of gumbo.  I even remember being cogent enough to request the Uber to take me and my two friends back to our hotel.  The last thing I remember is getting into bed at probably about 2am, but after that, I have no clue what befell me or my roommate, though I am told I was a very abrasive drunk.

Drinking like I didn't want to live...

Drinking like I didn’t want to live…

Since then, I don’t know if I am almost disappointed that I am not dead or if I am just reacting to the poor opinion of me that the other passengers now have, but my mood has refused to be improved.  Despite my proverbial inhalation of my SSRIs and antidepressants, my bulimic attacks have not slowed up or gone away and I cannot get into the spirit of the trip as well as I was before I grew tired of wearing the mask that showed the rest of the world the portrait of a sane person, while beneath there resides a broken, bat-shit crazy bitch.

When I am back home, I wear a mask to a certain extent with people I do not trust or have only just met, but when you are spending a month in the company of the same people and without resorting to Facebook and Instagram stalking – something I refuse to do with my time – you have no idea who they really are as much as they cannot tell who you are.  When it’s a fortnight or less, it’s not so bad because I can keep it together (more or less…) for that duration of time, but I’ve never had to maintain a constant mask for over four weeks and to paraphrase the great Tennessee Williams, I’ve never had to depend on the kindness of strangers for so long.  It’s exhausting and it made me think about how often I don the mask and thereafter how long I wear it in the company of others.

I have since made up my mind and decided that none may know me as long as I live, save my children and the only love of my life.  They are the only ones with whom I feel – or will feel – safe.  As such, I wear a mask to all others to protect myself from being further broken and rendered unable to show my face to those who have to see it, who deserve to see it, who must see it.

Anyway, I’ll leave you all with that thought as I sit watching my roommate get ready to go to a club in Miami Beach that according to a club promoter I am too ugly, too big and not sufficiently “Miami” enough (yes, I am using Miami as an adjective that’s how low my self-esteem is currently, that without the mask I’m still too warped physically for the world that the Grammar Nazi in me has checked out for the night!).

LaBellaBorgia Speaks,

P. Mistry-Norman

20-08-2015

Music of the Night

Softly, deftly music shall caress you

Hear it, feel it secretly possess you,

Open up your mind,

Let your fantasies unwind

In this darkness that you know you cannot fight,

The darkness of the music of the night.

So often I feel that life and living is simply a run.  It’s a run from the time you’re expelled from a womb to the time when you decay and die.  To get from A to Z you have to run, whether you choose to run towards death or away from it.  The irony is that I am as bad at running as I am at life.  Somewhere, sometime before my brain and heart broke, I couldn’t keep up with life’s pace and I slowed down, then stopped altogether.  Now, whether a hurdle tripped me up or I wasn’t fit enough or I ultimately decided I would not run, I got left behind.  Life, the living and all that encompasses left me behind.  Others who fall and fail and struggle through life, who cannot keep pace with the run of life, are tugged along by the other runners in the race, those who knew them, loved them – who would miss them – and saw them fall.  Nobody saw me fall.  Nobody looked back at me lying in their wake.  Nobody realised I was no longer in the race.  Someone had already won and I had already come last in that instant.  Now, I’m up and I am walking.  I am walking but nothing I, or anyone else, can do now will lessen the distance between myself and those ahead of me who might have knelt down and given succour.  So, when humankind forgets you are part of it and is complicit in your survival or lack of it, to whom or what do you turn so that you can keep walking towards death and find an end to the journey?  What is it that keeps you company on your long, dark, solitary odyssey that your life is to you with a broken brain and a broken heart?  The caress and possession of your mind, heart and body by music, the sweetest and darkest music that lets the burning in your muscles dwindle and is the balm to the crushing weight of the world’s dismissal and apathy of you on your shoulders.  Music is the door from this world where Pippa trudges to Calvary alone, no longer able to run with life, to the sacred world where Lucrezia and Cordelia sing with angels and thrive away from the great race in the night no longer “dark and full of terrors”.

My extended metaphor aside, I want to write about music today, seeing as I’ve been crying (inexplicably, I might add!) through three episodes from season 2 of Glee!  It was nothing in the show particularly that elicited such a visceral response from me but it’s a show that, despite being cliched, unbearably American and full of unrealistic teen drama (even from the adults), is about music and the joys of music healing people and bringing them together with other people, who would have left them behind or never known them and made a difference in their lives.  Can you see how this fits in with my metaphor dragged out above?  Just in case I’ve been too cryptic, I’ll spell it out: it’s a show about people falling, failing and fumbling their way through life but more than that, it’s a TV show about others picking you up and being aware that you matter, especially in the episodes aired in the aftermath of Cory Monteith’s tragic passing.

Anyway, back to music!

The first tunes I remember and the first moments of insurmountable joy I experienced during a melody were those of Andrew Lloyd-Webber’s composition.  I used to adore musicals and Kid’s Week in London was the highlight of my year.  Now, I find them just adaptations of better works and overly sentimental romances, but Andrew Lloyd-Webber’s works still hit a resounding note with me, despite the fact that I listen to them less and less.  Just to give you a rundown, of all his musicals, I have seen (though, even where I haven’t seen the show, I know of the songs, e.g. I have never seen Song and Dance but I have sung Tell Me On a Sunday):

  • Joseph & the Amazing Technicolor Dreamcoat (1968)
    • NB. also my first exposure to Donny Osmond, whom I love also!
  • Jesus Christ Superstar (1970)
    • At Chigwell School, this was one of the shows and I played trumpet in the orchestra
  • Evita (1976)
  • Cats (1981)
  • The Phantom of the Opera (1986)
    • I believe, other than the Joel Schumacher film, I have seen the show in London’s West End over ten times
  • Whistle Down the Wind (1996)
  • Bombay Dreams (2002)
  • Love Never Dies (2010)
    • NB. I saw this twice and the original ending (SPOILERS!) was that Christine dies and Gustave resides with his natural father, the Phantom, after losing his mother and I LOVED THAT!  Then, after a cast change and alteration to the musical, I saw it again and the ending was changed so that Raoul returns after leaving his wife and “son” and the Phantom lets Gustave return to the father he knew rather than stay with the father he knew no and I HATED IT

I have also seen all of the BBC 1 talent show-auditions for Andrew Lloyd-Webber productions and adored them, but I’m getting sidetracked by a delineation of the history of my fanatical following of Lloyd-Webber.  I’ll get back to proper writing now!

For my third form prom, I sang The Music of the Night from The Phantom of the Opera and for the reason that it speaks of how music brings a lonely, scarred, incomplete man love, a vocation and a life, I have never found another song to replace it in my heart.  Those lyrics that opened this article are words I long to sing and love to recall when nothing but music for a while (kudos to any music lovers who get that reference!) can soothe my achy, breaky heart.  (I am on fire with these references!).

The lyrics of the entire song are about transcending out of this banal and brutal world to one where fantasies can come to life and you can be who you are, not who you appear to be.  That is my life, through television, through film, through whatever I can find.  My need is to leave Pippa behind and become someone else who can feel love and give love in a world that is not going to find pitchforks and cages with which to punish me for being ugly, for being evil, for being a monster.  For, that is what you become when you fall and the run of life leaves you behind because no one living, who runs away from death and towards life itself, remembered to look for you or reach for your hand to save you, who are forced to begin the long march to death.  You become a monster and a beast with no salvation other than that you search and yearn for beyond this life and away from this earth that has forsaken you.

reaching-out-300x196LaBellaBorgia Speaks,

P. Mistry-Norman

28-06-2015